All
writers are weird. In their own way. Edgar Allan Poe was off his face on coke
half the time. Stephen King was so whacked out of his mind on drugs and alcohol
that he doesn’t even remember writing his 1000 paged novel It. And Byron...well, let’s not go there.
I
think – judging on the biased reading I have done – that a lot of writers and
poets have suffered from substance abuse. There’s a great article – for some
reason I can’t remember the name of it but I think it was written for the
Guardian – that is a mini biography of Stephen King and his addiction to
alcohol. There’s a wonderful bit where the writer talks about the time Mr. King
had just had surgery and the stitches had come off. He sat there, banging away
at his keyboard, in a pool of his own blood, and didn’t notice until his wife
yelled with fright. King’s response was “yeah, OK, we’ll go to the hospital
right after I finish this chapter.” Talk about dedication! Although I’m not a
great fan of Stephen King’s novels – the classics: Carrie, The Shining, Salem’s Lot – being my favourite, I have
tremendous respect for him as a writer and whenever I read about him always
want to write.
(Gotta admit - he's quite creepy looking!)
He,
along with other ‘literary horror’ writers – Bret Easton Ellis, Chuck
Palanhniuk, Joe Hill and Irvine Welsh – have inspired me to attempt a second
horror story or ‘novel’ due to the length I anticipate it to be. It’s something
that demands a lot of research – for my bedroom is full of mountains of books,
an empty bottle of wine and an Underwood typewriter (for inspiration, you see) –
but something that is daunting all the same. I’m not giving away the plot just
yet as it is something I plan to write during my MA – if I get the grades in my
degree, of course – but I will say it’s about obsessive love.
Obsessive
love and horror – hmm...(I hope you’re all doing this).
I
have admit that a great new writer who I love to read and is inspiring is Joe
Hill (Stephen King’s son) whose style of writing is simplistic and affective.
The opening to his novel Horns gets
me every time.
"Ignatius Martin Perrish spent the night drunk and doing terrible things. He woke the next morning with a headache, put his hands to his temples, and felt something unfamiliar, a pair of knobby pointed protuberances. He was so ill - wet-eyed and weak - he didn't think anything of it at first, was too hungover for thinking or worry. But then he was swaying above the toilet, he glanced at himself in the mirror over the sink and saw he had grown horns while he slept. He lurched in surprise, and for the second time in twelve hours he pissed on his feet."
Even though I’ve read it twice I still want to re-read
the book again but the capitulating opening chapter.
I
suppose I have strayed away from the title of this blog but that was more of a
starting point, more an acknowledgment that a lot of writers are indeed fucked
up in the head and perhaps have to get that ‘fucked-up-ness’ out by their
writing and their alcohol/drugs. Writers have their own forms of therapy –
writing being the main thing, of course – but with writing comes other things:
acting out the scenes you write, drinking your own body weight in Vodka, taking
enough coke to kill a small horse.
One
of my stories that was work-shopped – ‘The Love Season: A Fairy Tale’, about a
man who is in love with two women – spawned an interesting conversation about
therapy and writers. My lecturer, Catherine Merriman, told us that she read
somewhere that some writers have to physically write to understand something.
If something bad happens to them they can’t process it in their mind, they have
to sit in front of a computer or a typewriter or hold a pen and write it down,
whether that be in a journal form or a storyline or anything.
So
today I leave you with the thoughts of writers and their ways, the little
tweaks that make writers who they are. Now I have a shitload of work to do so I
should stop procrastinating and crack on and do it. I suggest you all do the
same. For now, we shall part.
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